![]() (You may choose to do a basic color correction at this point.)Ĭlick the Delivery Tab and select the Use the Easy Set Up option and export to Final Cut Pro. Import CinemaDNG files into DaVinci Resolve.Ĭhoose Conform to see timeline. Open DaVinci Resolve and start a new project. Here are the basic steps for round tripping from DaVinci Resolve to FCP7 and Premiere Pro (steps are same for both): Workflow for Blackmagic Cinema DNG files: If you have never worked with RAW format, this camera offers a great opportunity for testing the waters. The 12 bit uncompressed RAW opens the door to freedom and creativity with color grading. One of the big deals with BMCC is that it comes bundled with DaVinci Resolve and that gives you an immediate way to work with RAW files. Once you have your media, import it directly into your editing application and go. This format does not have to be color graded (the camera applies a burned in LUT), but you can adjust it with limited range. The files are easy to work with, no transcoding necessary, and at 10 bits, the file size is smaller to deal with. The advantage of working with ProRes files is that you can get going right out of the box. (Here is a link to our first post on the camera.) Keep in mind there are many factors that dictate how you will approach post workflow – storage space requirements, speed, hardware, software, quality and final delivery – just to name a few. ![]() In our second post on the Blackmagic Cinema Camera, we are going to look at some workflow options for getting both the CinemaDNG and ProRes files out of the camera and into the NLE of your choice.
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